BEAGY ZIELINSKI ; FASHION STYLIST - Bio
Beagy Zielinski: Fashion Stylist
Fashion-conscious from a very young age, Beagy's first full sentence was "Don't touch my shoes", the words of a true fashionista in the making. Raised in Europe, Beagy was exposed to a variety of styles and cultures that she incorporates in her style today. It was her love for fashion that brought her to New York to study textile/fashion design and merchandising. She began her career as a fashion merchandiser where she was sent on travels to countries like Asia to learn more about design production and fabrics. Still on a journey to further develop her craft and passion, Beagy worked in many other areas of the fashion industry such as design, showrooms and editorial, it was during this journey that she built a sizable rolodex that would later help launch her career as a fashion stylist. Beagy is currently working as a fashion stylist and personal shopper. She recalls: "I never even considered becoming a stylist professionally. All of my friends & co-workers would come to me for style advice or to help them re-vamp their wardrobe. I was having so much fun doing it; I never saw it as a job". If Beagy can't be found on the set of a fashion shoot she is likely to be found shopping with a stack of YSL, Chloe and Roland Mouret in her arms... for her clients, of course.
Clients Include
Greek ELLE
Harpers Bazaar China
AVENUEL Magazine Korea
Vogue Germany / Vogue.de
Faces Magazine
Inked Magazine
Tommy Hilfiger
Getty Images
Prestige Magazine
Trendsetter Magazine
VERSE Magazine
SLY Magazine
Aventura Magazine
Fragile Magazine
Encore Magazine
Indie Magazine
Rochambeau
Beagy's latest venture is L'Armoire Du Styliste, an international clothing , shoe and accessory rental studio for stylists & editors based out of New York. She has used her experience of working with other rental studios and knowledge of the industry, to create a super studio that fills the void that others in the past have missed. "I want my studio to be a full service rental studio. When a stylist comes in; I want to know that at the end of the shoot, the designer will be happy with the way they were shown, the stylist & team will have great shots for their books and everyone will have an amazing tear sheet in a magazine that will make the editor of that mag happy. That's my goal."